February 22nd, 2005

Born Concept Dwight

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Born Concept Dwight

Something I Said - Interview with Mankwe Ndosi

Something I Said - Mankwe Ndosi

Dwight Hobbes - Twin Cities Daily Planet

Mankwe Ndosi is a one-woman clearinghouse of accomplished artistry. For going on a second decade, after establishing herself at a young age on Penumbra's stage in Keith Glover's masterpiece Coming of the Hurricane, Ndosi steadily has built a flourishing, multi-faceted career, never letting renown at one artform pigeonhole her into limited horizons.

For instance, she's long been heralded as a fixture in Twin Cities spoken word—one who, around 2000, segued into singing and musical improvisation. For the full lowdown, her press bio reads, "Mankwe Monika Nkatuati Ndosi, vocalist, producer and multidisciplinary performer, has been working for over a decade in the mediums of theater, dance, music, spoken word, and improvisation." She is a part of Douglas R. Ewart & Orchestra Inventions (an improvisational group rooted in creative black music and based in Chicago), is on the board of Speak-Out Sisters, and works with the group "in the belly" on creative workshops for youth and incarcerated populations. She orchestrates a "freestyle playroom for all creative disciplines," the Friday Front Porch, from 4-7 p.m. at Bedlam Theatre on Minneapolis's West Bank every other Friday through June 18th.

This week, you can catch her performing with Aimee K. Bryant, Sarah Greer, Libby Turner-Opanga, and Kenna Sarge in
As the Rhythm Changes
: songs, improv, and movement devised by Ndosi featuring instruments by Ewart. For this work she curates conversation and concepts to examine and illuminate aspects of the one constant in our lives that never stays the same, change. A daughter of Minneapolis—she'll pipe right up and spiritedly tell you, "I was born at the University of Minnesota"—she met me right after shuttling in from her other base of creative operations, the Windy City. Last week, gearing up for the premiere of
As the Rhythm Changes
, she met with me at Mapps Cafe on the West Bank and chatted over tea and coffee.

You called from the airport. Where were you on your way in from?
Chicago. I had a gig out there. I've been going back and forth about ten years. Doing [work with] the creative music community there, at places like the Velvet Lounge. Actually, Douglas Ewart is collaborating with me on As the Rhythm Changes, letting me use some of his instruments.

Is the group Poetree still goin' on in Chicago?
I'm not sure. I've been less involved in the spoken word community and more with musicians. I did a lot of spoken word. Was in a group Arkology with e. g. bailey. I'd been singing, but I've started doing more [of it]. Douglas heard some of the experiments I was doing and started bringing me to Chicago about ten years ago. I've kind of had two very different performance communities. As the Rhythm Changes is at the intersection.

Where'd It come from?
I started mulling around in my head, to look at, okay, what is the crux of change, what makes us change, when is change real. There are different rhythms, different lengths, like musical phrases. Starting and stopping to some of it. Sometimes, like, look at Haiti. New Orleans. There's no going back. Having a child, there is no going back. You're never going to be the same. I try to talk about these things without getting didactic, too preachy. I started to do some residencies around the issues, to talk to people and think deeply about how do you start a conversation. Ultimately, in performance or not, just in terms of relationships, it feels like stories are are what help us see each other. Even across differences, across paths. We see each other in very small windows. We make judgments based on those windows. Our stories allows us to link up with each other.

You started with residencies?
I figured [they] involved too many people. So, I began doing interviews with people in the Twin Cities. A little bit in suburbs. I have a relationship with a community in Wykoff, a farming community. There's a woman, Eva Barr, a theatre artist. She and her husband run an organic farm, Dream Acres. In the summertime, they have a creative camp for kids, an artists camp. I came out and did performance with the [children] for a couple of summers. It's called Flourish. Now it's for adults as well.

How'd go about bringing in artists to do As the Rhythm Changes?
I gathered together women who I really enjoy singing and performing with. Who I've also done improvisational work with. I love to harmonize with Aimee. She's an amazing performer.

What's next?
I've working on a second CD [following Do Gooder Blues] with Medium Zach of Big Quarters. I just came from doing some work with Nicole Mitchell at the Museum of Contemporary Art. I'll be doing some work in Chcago. And in my garden

About the Author

Coming: "Angels Don't Really Fly" EP by Dwight Hobbes & The All-Star Hired Guns featuring Alicia Wiley. The crew: Me, Alicia Wiley, Stanley Kipper, Chico Perez, Jeff "Boday" Christensen, Aaron "Orange A.C." Cosgrove and Yohannes Tona. Singer-songwriter Dwight Hobbes recorded the single "Atlanta Children" (BeatBad Records) and gigged 10 years in the Long Island/NYC area, including The Other End, Kenny's Castaways and My Fathers Place. Fronted the Boston blues band Midlight. In Minneapolis, Hobbes opened for David Daniels at First Street Entry, James Curry at Terminal Bar, sat in with Yohannes Tona, Alicia Wiley at Sol Testimony's Soul Jam, The New Congress at Babalu, Willie Murphy at the Viking Bar and Wain McFarlane & Jahz at Lucille's Kitchen. Dwight Hobbes still drops in at the occasional open mic around town. Dwight Hobbes has written for ESSENCE, Reader's Digest, Washington Post, Minneapolis Star Tribune, St. Paul Pioneer Press, City Pages, Mpls/St. Paul, MN Law & Politics, Pulse of the Twin Cities, Twin Cities Daily Planet, Women & Word, San Diego Union-Tribune, The Circle, to Minnesota Spokesman-Recorder (where he contributes the commentary columns Hobbes In The House and Something I Said. He's spoken his mind over National Public Radio, Minnesota Public Radio and KMOJ in Minneapolis and St. Paul. Was regularly featured as guest commentator on NewsNight Minnesota (KTCA-Minneapolis/St. Paul) and Spectator (Minneapolis Television Network). His monthly column "Hobbes In The House" in MN Spokesman Recorder comments on domestic abuse and rape. His plays are Shelter - produced at Mixed Blood Theatre by Pangea World Theater, Dues - produced by Mixed Blood Theatre, University of Southern Illinois in Point of Revue, selected for Bedlam Theatre's 10-Minute Play Festival and published by Playscripts, Inc. You Can't Always Sometimes Never Tell - produced by Theater Center Philadelphia, Long Island University, reading at The Kennedy Center and published in the anthology CENTER STAGE, In the Midst - produced by Long Island University, starring Samuel E. Wright. Hobbes spoke on the panel "Farewell To August Wilson" at the Guthrie Theater, broadcast on Conversations With Al McFarlane (KFAI, KMOJ). Twin Cities Daily Planet articles archived at www.tcdailyplanet.net/dwighthobbes


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High Quality Content by WIKIPEDIA articles Dwight Eugene Gooden (born November 16, 1964), also known as Doc Gooden or Dr. K, is a former major league baseball player. He was one of the most dominant and feared pitchers in the National League in the middle and late 1980s, but his career declined because of injury, as well as drug and alcohol abuse. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 40 Publication Date: 2010/12/10 Language: English Dimensions: 6.00 x 9.02 x 0.10 inches

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High Quality Content by WIKIPEDIA articles Dwight L. Chapin (born December 2, 1940) was Deputy Assistant to the President Richard M. Nixon. Chapin was born in Wichita, Kansas. He got his first experience in California politics in 1958 at the American Legions Boys State summer program, where he was elected the head of the Tory Party. His counterpart, the Whig Party leader, was Stacy Keach, who went into acting as a career. Mr. Chapin studied at the University of Southern California, where he was a member of Sigma Chi fraternity, graduating in 1963. When Nixon ran for California Governor in 1962, Chapin, then a student at USC, was a paid Field Man (the ontheground organizational leaders for election campaigns)and worked with the volunteer organization. After the 1962 campaign while still at USC he was hired by H.R. Haldeman to work at the J. Walter Thompson Company in Los Angeles. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 132 Publication Date: 2010/12/20 Language: English Dimensions: 6.00 x 9.02 x 0.31 inches

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The present volume does not aim to be a system. It does profess not to forget the initial quest of philosophy.Its scope is limited, for it proposed only to give a consistent account, a definition, of one very common yet perplexing feature of the universe consciousness from The Preface By 1914, when he completed The Concept of Consciousness, Holt believed that objects are as initially perceived, that one could relate conscious experience to physical references and that environment is the determining force in life. Contents of this volume include: .The Renaissance of Logic .Objections to the Programme of Logic .Correspondence: The Particular and The Universal .Further Implications of the Programme of Logic .Our Universe at Large .The Substance of Ideas .The Substance of Matter .The Neutral Mosaic .The Concept of Consciousness EDWIN B. HOLT, (18731946) born in Winchester, Massachusetts, was an undergraduate at Amherst College, but transferred to Harvard, receiving his A.B. in 1896. Thereafter, he studied with William James, receiving a doctorate in psychology in 1901. Holt taught at Harvard until 1918, and later served for nearly a decade as a Visiting Professor of Psychology at Princeton, where he was widely acclaimed for his brilliant lectures. Author: Holt, Edwin B. Binding Type: Paperback Number of Pages: 364 Publication Date: 2005/11/01 Language: English Dimensions: 8.00 x 5.00 x 0.81 inches

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Dwight Duncan by Trev, Nuadha [Paperback]


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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Dwight Duncan, MPP is a politician in Ontario, Canada. He has been a member of the Legislative Assembly of Ontario since 1995, and is the Minister of Finance in the government of Dalton McGuinty. Duncan is a member of the Ontario Liberal Party. Duncan was born in Windsor, and holds a Bachelors Degree in Economics from McGill University and a Master of Business Administration from the University of Windsor. He has been a member of the Liberal Party since the early 1970s, and once skipped class in 1972 to attend a rally for his political hero, Prime Minister Pierre Elliott Trudeau. Author: Trev, Nuadha Binding Type: Paperback Number of Pages: 160 Publication Date: 2011/08/31 Language: English Dimensions: 9.02 x 5.98 x 0.37 inches

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Dwight Yorke has been one of the most successful and prolific goalscorers in the Premier League's history over the past decade. He was known first at Aston Villa and then Manchester United for his permanent smile, smoothness and flair - and for making headlines both on and off the pitch. He was a key member of Manchester United's treble-winning 1999 season and formed a deadly strike parterships with Andy Cole. His subsequent clubs have been Blackburn Rovers, Birmingham City, Sydney FC and Sunderland. Yorke came to be seen as the epitome of a young, successful, rich lifestyle, and he makes no apology for doing what a lot of young, single men would have done with sporting prowess, adulation and money. But it was his relationship with Katie Price (Jordan) among others which propelled him onto the gossip pages. He's the father of their son Harvey, and he talks for the first time about the hurt of being branded a bad dad who didn't care. Having never spoken out before, Dwight, nearing retirement, wants to tell his side, and from the heart. It's the story of a boy who followed his football dreams from Tobago's white beaches to England's lush stadia and who, having been given a miraculous second chance to live aged two, risked losing everything he held dear. This is his fascinating story.

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