May 30th, 2010

Black Charcoal Horror

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Black Charcoal Horror

What is Food and What it is Not

1. Commercial animals that are used for food are unnatural as in “crossbred, hybrid”. As with commercial produce, their genes are artifically altered by scientists. The “improved” animals that are reproduced from this nonsense are out of balance with Nature. They are continuing to try to improve on the poor pig, as in breeding in flat rumps , giving them level backs, and even toes and such things that will make the animal more “factory ready”.

2. Human genes are being fed to commercial pigs and other animals dead carcasses are being fed to the animals. They are grown in , and fed, poisons and feces just to keep their diseased bodies alive.

Well you might ask, what are they being fed. Okay here goes. Stay with me here:

Animal feed contains DDT, pesticides, hormones, stilbesterol, antibiotics, and tranquilizers.

Cancerous pesticides are fed to animals to keep their manure free of flies.

The diet of commercial chickens include sulfa drugs, hormones, antibiotics, nitrofurans, arsenicals and feces.

Livestock is also fed hugh quanties of often contaminated fish. Yes I said fish-which is not a natural food of cows. And mind you this is what they call “trash fish” that can’t be fixed up to sell to humans. It is fed to factory farm animals solely to enrich the owners of the “factory trawlers” wiping out the fish stocks in our oceans.

The poor pig is routinely fed recycled raw feces-you heard me which is made up of pig/chicken manure waste whcih contains drug residues and high levels of toxic, heavy metals such as arsenic, lead and copper.

In some factories the cattle’s diet may include sawdust laced with ammonia and feathers, shredded newspaper (with toxic ink from print), “plastic hay”, processed sewage, inedible tallow and grease, poultry litter, cement dust, and cardboard scraps, plus insecticides, antibiotics and hormones.

Then to top it off they artificially flavor and scent the concoction to “trick” the animals into eating it. hmmm sound familiar? It should, for essentially this is the delicious and deadly Aerician die-t chemical junk flavored and done up as real food, then deceptively presented to us as good.

Lesson Up People

There is something diabolical going on. The new food thats being created are “Brain Dissolving” in its nature. What is being produced is called “PRION” or to put it in laymens or laywomens terminology it is “Outta Control Protein” which requires the heat of “3500 degrees” to be destroyed. Now I don’t know about your stomach, but whats are regular body tempurature, somewhere around 98.9 degrees F. Hey folks we can’t digest that stuff. Pardon my French but hell, we can barely digest regular flesh.

Okay lets take a look at Fish:

Normally, fish would be the most wholesome animal flesh to consume, but now because of underwater “toxic waste”, eating fish is pretty much just as bad as eating red meat.

The EPA estimates that fish can accumulate up tp 9 million times the level of PCBs in the waters in which they live.

Oh by the way DDT levels in the oceans have damaged a major source of the world’s oxygen supply_ the microscopic Phytoplankton. They also get further contamination from chemicalized ice that they are packed in.

Heres one for ya: Nearly HALF of America’s antibiotics are used on meat animals. In 1991, the Centers for Disease Control in Atlanta released figures showing that approximately half of the 15 million pounds of antibiotics produced yearly in America, are used on livestock and poultry. Guess what; Antibiotics and Chemicals cannot protect meats. The U.S. Meat Inspection Services recognizes over 42 diseases whcih make flesh eating dangerous and antibiotics USELESS!

The contiuned eating of antibiotics in animal corpes causes human resistance to medicines and immunity to PENICILLIN.

Okay now lets move on to one of my favorites “white sugar”, I’m not even going to capitalize it because some of my family members passes away from diabeties.

You probably already know that white sugar penetrates through the wall of your stomach and small intestines without being digested, giving you a quick high followed by a later crash. When you eat white sugar of sugar-sweetened food, the sugar bypasses digestion and enters your bloodstream within three minutes, yanking up your gloodsugar level. This gives you the perception of having more energy and a felling of well being. This is shortly followed by a crash in bloodsugar levels (due to the release of insulin from the pancreas) and a depression and drop in energy that tends to be corrected with another dose of sugar. This becomes a dangerous habit, subjecting the body to a yoyo of stimulation, depressionm restimulation which results in damge and diseases.

Natural sugars from fruits and vegetables undergo the digestion process and enter the bloodstream gradually without disrupting bloodsugar balance.

Okay getting good to you huh? Alright now for the down and dirty facts!

Sugar is not food. period It provides absolutely no nutrition!

Sugar is added to almost all foods in supermarkets, including common table salt! You can prove this by reading the labels the nextg time you go shopping, keeping in mind that syrup, corn syrup, dextrose, sucrose, maltose, fructose and any other kind of “ose” is sugar.

Sugar is consumed at the rate of nearly 180 lbs. per American each year, according to the USDA. This is almost a half pound per day or the equivalent of eating 8 pounds of sugar cane or sugar beets per day. The average healthy digestive system can only eliminate 2-4 teaspoons of sugar daily. One 12 ounce cola contains 11 teaspoons of sugar.

Sugar causes “cross linking,” making your flesh and skin stiff and leathery. Cross linking is a condition wherein the cellular membranes become so damaged that they become hardened, stiff and stick together, and their protein strands get entangled in each other. When this happens they can no longer perform their normal function. Thus sugar is stiffening human tissues from the inside out speeding up AGING!

Sugar outrightly kills your cells. Sugar addicts often have high uric acid levels in their blood. Uric acid is a braeakdown product of cellular nuclear material. The implication is that sugar is killing human cells…sweetly the next bullet point will explain why. get ready for this…

White Sugar is almost PURE CARBON! The oxidation of white sugar in the body produces Carbonic Acid. Why? Because white sugar is almost pure carbon! Because since it has no nutrients or organic salts, white sugar breaks down cells in order to furnish the blood withe nexxessary alkaline elements to neutralize the carbonic acid formed by the oxidation of the carbon called sugar.

White sugar is loaded with bleached PIG BLOOD and other STUFF. Now this is not me saying this. An article in the July 1989 issue of Doctor’s Health Review, educates us about this horror: Commerical sugar is made from sugar cane and sugar beets. At one phase of the (beet) sugar “refining” process, “blood albumin from the slaughter house is used” (to flush protein particles out of sugar beets/sugar cane). “also purchased form the slaughter house is bone-black or animal charcoal, which comes from low-grade animals used as a filter to ‘furify’ this mixture called sugar. It is then bleached with a strong bleaching agent referred to as blue water….sixty-five percent of the animals for the markets are swine. Therefore, the slaughter house products being used in processing sugar are derivatives of pork.”

Okay so are you happy. Just kidding. Tomorrow I’ll continue with such topics as healthy fats, good old MILK, Vegetables or should I say so called vegetables. Alright thats it for today, I’ll see you soon

Arthur Buddy Jones

email addresses: artiej609@yahoo.com and kaasmirbey@gmail.com

About the Author

I'm a small town kid from the country all grown up now, making my mark in the world. I hail from Jersey. I still bake Pies,and make delicious Crab Cakes. I have really been combing the web, and searching for a bona-fide, natural delicious product and finally it hit me. Make your own product. So I did. A meal replacement diet cookie. It comes in a few flavors. You can check it out in a week (still in the building stage); at squidoo.com/curbyourappetitewithdietcookies


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From King Kong to Candyman , the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present , Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre's racialized imagery, as well as the narratives that make up popular culture's commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

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The latest volume of The Black Book of Horror contains 17 macabre chillers. The Third Black Book of Horror, where you'll encounter a hound from hell, practitioners of dark arts, vengeful women, and the restless dead. Tales of ghoulish delight and blinding terror.

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Horror is one of cinema's most disreputable genres. Frequently dismissed or reviled by critics, the horror film nevertheless provides a way of confronting our fears in a safe environment. Often subject to more cuts at the hands of the censor than a serial killer's razor, the horror film is also a benchmark, a sign of what's considered acceptable for the public to view and what the state will allow its citizens to see. But for the most part horror films are about entertainment, consistently profitable, eminently enjoyable. So what makes this genre so detested and why do people pay to be scared? The Kamera Book of Horror Films will take you on a journey into the realm of fear. From horror cinema's beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead there's more than enough to keep you awake at night. There's a whole world of terror to explore -- Spanish werewolves, Chinese vampires, Italian zombies, demons from Britain, killers in America, evil spirits in Japan. This book offers a guide to key films, directors and movements. Amongst the many discussed are the popular Dracula, Frankenstein, Scream, Halloween, The Sixth Sense, Ringu and Evil Dead, and the more unusual The Living Dead Girl, Rouge, Les Yeux sans Visage, Nang Nak and Black Cat. So join us on a gruesome and terrifying journey into the world of horror but don't dawdle, the last in line is always the first to get picked off...

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Are you hungry for some more horror? Do you have an appetite for the abominable? Then you need The Fifth Black Book of Horror. Thirteen morsels of the macabre for those with a taste for terror. With stories by Reggie Oliver; Paul Finch; David A. Riley; Craig Herbertson; Rosalie Parker; Ian C. Strachan; David Williamson; Marcus Gold; Richard Staines; Anna Taborska; Raymond Vaughn, and two by John Llewellyn Probert, it's a veritable feast of fear

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After 30 years, it's finally time for the first meeting between Carl Kolchak, the Nightstalker, and the black and evil horror which is the Cthulhu Mythos, H.P. Lovecraft's enduring world of gods and monsters Kolchak has seen it all, from vampires and zombies to witches, ghosts and even the minions of Hell, itself. By rights, nothing should shake this indomitable reporter anymore. But, when he starts to follow the trail begun by the photographing of a strange sea creature, one more reminiscent of the creature from the black lagoon than a shark or tuna, he suddenly finds himself being drawn into a nightmare world so fantastic, so utterly alien and frighteningly dark that even his massive psychic defenses begin to crumble. For once, Kolchak isn't just following a story. This time, he's crossing the threshold into another reality. One which could possibly destroy both his mind, and the entire world

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A tale of shear terror, a witch's curse, the horror of Halloween, the phantom in the priory and other unspeakable evils haunt the pages of The Fourth Black Book of Horror. Contents: Soup - Craig Herbertson Words - Paul Finch A Cry For Help - Joel Lane With Deepest Sympathy - Johnny Mains Many Happy Returns - Carl T. Ford All Hallow's Even - Franklin Marsh Dead Water - David A. Sutton And Still Those Screams Resound...'- Daniel McGachey Love is in the Air - Gary McMahon The Head - Reggie Oliver The Devil Looks After His Own? - Ian C. Strachan Bad Hair Day - Gary Fry Flies - Hazel Quinn Nails - Rog Pile The Lord of the Law - David Conyers

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The Second Black Book of Horror brings you thirteen macabre chillers of ghoulish terror and fiendish fear. Contents: Black Glass - Gary McMahon; Amygdala - David A. Sutton; Now and Forever More - David A. Riley; The Cold Harvest - Steve Goodwin; On the Couch - Craig Herbertson; All Under Hatches Stow'd - Mike Chinn; The Crimson Picture -Daniel McGachey; Squabble - D. F. Lewis; The Eye in the Mirror - Eddy C. Bertin; The Meal - Julia Lufford; In Sickness And... - John Llewellyn Probert; Onion - L. H. Maynard & M. P. N. Sims; The Pit - Rog Pile.

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Rated: NRSynopsis: “Perversity,” wrote Edgar Allan Poe, is “the human thirst for self torture.” Jeffrey Combs of RE-ANIMATOR fame delivers an electrifying performance as the legendary writer driven to debt and drunken folly by a world cruelly indifferent to his poetry. But is it his beloved wife’s agonizing death by consumption or her deranged pet feline that will soon trigger the scribe’s most ghastly acts of madness? Director Stuart Gordon and longtime collaborator Dennis Paoli (RE- ANIMATOR, DAGON, CASTLE FREAK) co-wrote this grisly exploration of horror fiction’s dark genius, condemned to a living hell of illusion, insanity and beyond by THE BLACK CAT.

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The Black Book of Horror contains 18 excursions into the realms of terror. Ranging from the supernatural to the macabre, the stories selected for this anthology feature black magic, the dead, monstrous beasts, and things from beyond. There are tales that witness madness, and the evil that man does. Contents: CROWS - Frank Nicholas REGINA vs. ZOSKIA - Mark Samuels THE OLDER MAN - Gary Fry POWER - Steve Goodwin CORDS - Roger B. Pile THE SOUND OF MUZAK - Sean Parker SHAPED LIKE A SNAKE - D. F. Lewis ONLY IN YOUR DREAMS - David A. Sutton THE WOLF AT JESSIE'S DOOR - Paul Finch SIZE MATTERS - John L. Probert SPARE RIB: A ROMANCE - John Kenneth Dunham FAMILY FISHING - Gary McMahon SUBTLE INVASION - David Conyers A PIE WITH THICK GRAVY - D. F. Lewis LOCK-IN - David A. Riley LAST CHRISTMAS (I GAVE YOU MY LIFE) - Franklin Marsh "SHALT THOU KNOW MY NAME?" - Daniel McGachey TO SUMMON A FLESH EATING DEMON - Charles Black

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The most terrifying villian on one of the most frightening shows on television, the Black Suit is worn by Tate Langdon, a young man prone to fits of violence when he was alive, and now even more terrifying in death, he terrorizes the Harmon family in their old house (that, really, they should've figured out how haunted that place was long before they actually did)! When you want to bring a terrifying look to Halloween, you can't go wrong with our Rubber Man American Horror Story Costume!Our Rubber Man American Horror Story Costume is a full body black fetish suit that is sure to terrify your friends! Pick up this costume today!

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Victorian suspense at its finest, this bone-chilling collection gathers thirteen long-lost tales of terror by famed authors. Includes "The Black Reaper" by Bernard Capes, "Nightmare-Touch" by Lafcadio Hearn, "Un Peu D'Amour" by Robert W. Chambers, and Gothic stories from Charles J. Mansford, Dick Donovan, Mrs. G. Linnaeus Banks, Frank Frankfort Moore, and 7 others.

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Sexually confused and more than a little lost, Trevor Machine, teenage front man for up-and-coming indie rockers Horror Hospital, walks a rocky road toward fame and fortune. But making it to the top may mean gambling away every last trace of his integrity, and Trevor's soul hangs in the balance as he discovers the dark side of success. A groundbreaking cult classic, adapted from Dennis Cooper's story "Horror Hospital" from the collection "Wrong," "Horror Hospital Unplugged" is now available for the next generation of graphic novel readers. Keith Mayerson's eye-popping artwork and Dennis Cooper's brutal text combine for cutting satire. "Horror Hospital Unplugged" is a black comedy for the ages and a remarkable collaborative achievement.

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Often subject to more cuts at the hands of the censor than a serial killers razor, the horror film has a fascinating history, not only as film study but also as a look at what has been considered acceptable for the public to view, and what the state will allow its citizens to see.But for the most part horror films are about entertainmentconsistently profitable, eminently enjoyable. From horror cinemas beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead, there is more than enough here to keep fans awake at night. Among the many films discussed are the popular Dracula, Evil Dead, Frankenstein, Halloween, Ringu, Scream, and The Sixth Sense, as well as the more unusual Black Cat, The Living Dead Girl, Nang Nak, Rouge, and Les Yeux sans Visage. The guide also profiles such popular directors as Dario Argento, John Carpenter, Wes Craven, David Cronenberg, Hideo Nakata, and Sam Raimi; as well as cult directors from around the world, including Coffin Joe, Jean Rollin, and Michele Soavi. Author: Odell, Colin/ Le Blanc, Michelle Binding Type: Paperback Number of Pages: 204 Accessory: DVD Publication Date: 2008/06/01 Language: English Dimensions: 7.60 x 5.58 x 0.64 inches

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Released in 1983, David Cronenberg's Videodrome is one of his most original and provocative works, fusing social commentary with shocking elements of sex and violence. Crossing the boundary between science fiction, horror, and social criticism, Videodrome remains a unique and brilliant work in the oeuvre of cinema's greatest maverick. Tim Lucas had behind-the-scenes access to every facet of production when Videodrome was filmed in 1981. His unique perspective provides interviews with cast and crew, including exclusive, never-before-published interviews with Cronenberg, commentary and analysis of the film, and over sixty black-and-white and color photographs, many never before seen. Videodrome is the first in the Studies in the Horror Film series, which aims to present critical and popular discussion of the great horror films in affordable, attractive packages. Tim Lucas is the editor of Video Watchdog magazine, which specializes in critical discussions of popular and obscure horror, fantasy, and science fiction films. He is also a renowned and astute film critic and award-winning writer.

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From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. Horror Noire presents a critical history of blackness and American horror, from early cinema to the present. Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, examines key levels of black paricipation on screen and behind the camera, and unpacks the genrea (TM)s racialized imagery and narratives that make up popular culturea (TM)s commentary on race. Horror, the author argues, offers a unique representational space for black people to challenge more a negativea (TM) or racist images as seen in other media forms and formats, and to portray greater diversity within blackness. Horror Noire considers prominent themes of black horror films including sexuality, religion, majority/minority power relationships, space (e.g., the a hood or the diaspora), time, slavery, police brutality, poverty, illegal drugs, war, and the role of comedy and satire. Offering a comprehensive chronological survey of the genre, Horror Noire addresses the full range of black horror film, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire presents a unique social history of blacks in America through changing images in horror films. It is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

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The Horrid, The Horrific, and The Horrible, all await you in The Seventh Black Book of Horror.Featuring new stories by Thana Niveau, Reggie Oliver, Joel Lane, John Llewellyn Probert, Gary Power, David Williamson, Rog Pile, David A. Riley, Paul Finch, Steve Rasnic Tem, Stephen Volk, Alex Langley, Anna Taborska, James Stanger, Claude Lalumiere, Craig Herbertson, and Tony Richards.

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Rated: RSynopsis: Synopsis: Fasten your garter belt and come up to the lab and see what's on the slab! It's The Rocky Horror Picture Show Special Edition, a screamingly funny, sinfully twisted salute to sci-fi, horror, B-movies and rock music, all rolled into one deliciously decadent morsel. And now there's even more to make you shiver with antici...pation: two additional musical numbers, "Once In A While" and "Superheroes", never seen theatrically or available on video! The madcap, musical mayhem begins when rain-soaked Brad and Janet take refuge in the castle of Dr. Frank-N-Furter, a transvestite mad scientist from outer space who is about to unveil his greatest creation - and have a bit of fun with his reluctant guests! Join Tim Curry, Barry Bostwick, Susan Sarandon and rock star Meat Loaf in the most popular cult classic of all time.Bonus Features: *Commentary Track: Richard O'Brien and Patricia Quin*Full length audience participation track*Multi-story: UK or US versions: view the audience participation track*Multi-story: UK or US versions: view the original cut or the new edition with musical sequences "superheroes" edited back in*Theatrical Experience: View Rocky Horror Horror as you would in the theater complete with introduction from RHPS fan club President Sal Piro. This feature allows you to view audience reactions and performers infront of the screen at certain points in through outand performers infront of the screen at certain points in through out the film prompter: (subtitles) prompts the viewer when to use props and what to scream at the screen*DVD-ROM games and trivia*Easter egg: View Rock Horror as Richard O'Brien originally conceived**This feature starts the film in black and white (like the Wizard of Oz) and then turns to color during the Time Warp sceneSpecifications: Box Office:

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